Saturday, August 8, 2020

Some thoughts on painting

Living with a canvas is comforting to me. To be in the same room with it, quietly. Just being together. A painting is a living being. It requires attention. Sometimes it requires being left alone. Sometimes it needs to be engaged. Sometimes it needs to be challenged. Sometimes it needs to play. Sometimes it needs to argue. Sometimes it needs to be held and caressed. Sometimes it requires tenderness and silence. Sometimes it requires boldness and noise. The painting will tell me what it needs if I pay attention. It forces me to reevaluate. It forces me to let go of old beliefs and preconceived notions. It forces me to go deeper. Sometimes it needs more and I need to add. Sometimes it needs less and I need to take away. Sometimes it just needs to sit for days, quitely, untouched. It is a symbiotic relationship. I feed it and it nourishes me. When it gets what it truly needs I am happy. When it is lacking, I am unsatisfied. When it’s boring I’m bored. When it’s faking it I feel cheated. Unlike me, it is not afraid of change. It will let me know when it’s finished. It is both patient and challenging. It embraces my mistakes and makes them its own. It won’t let me off the hook. It is not afraid to die.


---


The beauty of a white canvas. The beauty of a blank page. The beauty of an empty room. The beauty of an open sky. The beauty of not-knowing. The beauty of a mind free of thoughts. The beauty of an unanswered question. The beauty of a day without plans. The beauty of silence. The beauty of the desert.


---

(After watching Gerhard Richter: Painting After All) - May 20,2020)


For me, the process of painting is communication. Not with the viewer. That relationship is between them and the painting. It is theirs, it is intimate, it is not for me to judge. I have no idea what someone will think of my painting, and I don’t care.


My communication is with the painting. It will tell me what it needs. Sometimes it will make loud demands, sometimes it will make quiet suggestions. Sometimes it will pout and not say anything at all. Sometimes it will try and trick me into giving it something it doesn’t need, like a toddler begging for candy. Sometimes it will make me guess. Sometimes I’m too dense to get it, and sometimes I’m mean and withholding. Sometimes I want something different and we fight. Generally the painting wins.


---




Elegy

Grief is like lead in your veins. 


Everything feels unbearably heavy. Like you are lugging around a backpack full of cement. 

Like your limbs have been tied down with heavy ropes and chains. 

Like you’re trying to run a marathon in mud, wearing stilettos.


Every movement is a struggle. 


Like you are on a very high mountain, and the air is very thin, and you are gasping for breath but not getting any oxygen. Like in a dream, when you are trying to run away, but you can barely drag your feet. Like trying to run under water. Like a motherfucker of a case of the flu. 


Grief makes you the slowest kid in gym class. The one that gets picked last for the team every time. 


Grief makes you an old lady crossing the street with her walker, stranded in the middle of the intersection long after the light has turned red again.  


It's like you're walking around with boulders in your pockets. 


Like some giant hopeless troll is sitting on your chest. Like you’re a scuba diver trying to swim back to the surface of a black ocean, pulling a submarine full of coffins behind you. Like you're running laps on a metal track with magnets in your shoes. Like you're dragging a sad, thousand-pound baby around on an iron sled. 


Grief makes you so tired you could sleep through the apocalypse. 


Like your eyelids are sealed shut with superglue. And yet, rest is as elusive as silence is in a monkey cage. Every time you close your eyes, a new abyss opens up, like the Russian nesting dolls of exhaustion and terror.


Grief is beautiful and delicate. 


Like a paper rose carrying the scent of a long forgotten perfume. Like a lock of a child’s hair found in an ancient pendant. Like the skin of a newborn baby’s toe, or a very old person’s eyelid. Like a melody that resonates through the hollow, aching chambers of your heart and makes you weep. Like a strip of lace from your grandmother’s wedding gown that will fall apart when you touch it. Like a polaroid you’ve kept in your wallet so long that all the color has faded away. 


Like a portrait of a ghost in a dream.



Wednesday, August 5, 2020

Pandemic Diaries: March-April

March 2020


It feels like a bad sci-fi movie with religious overtones. Kinda like that show The Leftovers. 


Which one of us will be taken next?


April 2020


Life is a temporary arrangement. There is no binding contract. We are not owed a thing. There's no one we can sue. 


It helps to say thank you.


4.3.20

Every morning I wake up to a new day. It’s as simple as that. I have no idea what to expect. I am now permanently living in the places that I am most scared of. Uncertainty, fragility, impermanence, grief and loss have manifested themselves as the pillars of my existence. Of all of our existence. It’s one big fucking lesson in Existentialism. Or Buddhism. I can kill myself. I can shut down. I can try to avoid and distract. I can argue, lament, pontify, be right. Or I can sit and feel it. Feel it all and give it space to be. Put my puny whiny little self aside and make way for what’s real. And show compassion for my puny whiny little self, and all the other puny whiny terrified little selves on this planet. Show up with loving kindness and care for self and others. We are all in this together. Life lesson on steroids. Patience, compassion, kindness with self and others is what’s on the menu. All you can eat. Unlimited refills. We need it.

4.19.20


I’m crying for broken dreams and fading friendships. I’m crying for missed opportunities and hugs I never gave. I’m crying for days-gone-by. I’m crying for softball games and red dirt and my daughter’s helmet with the smiley face on it. I’m crying for uncertainty and loss and the frailty of human life. I’m crying for sickness and death. I’m crying for everything I have done wrong. I’m crying for goodbyes I cannot say. I’m crying for hellos that will never be. I’m crying for the days of happy babies and dirty diapers. I’m crying for missed milestones. I’m crying for crushed hopes. I’m crying for my unkindness. I’m crying for everyone I’ve lost and everyone I will lose. I’m crying for lost innocence. I’m crying for my jaded selfish heart. I’m crying for all the times I’ve decided not to cry. I’m crying for sweet memories of laughter and joy. I’m crying for guilt, guilt, guilt. I’m crying for the things I haven’t said, and for the things I have said. I’m crying for my apathy. I’m crying for my cynicism. I’m crying for my better-than-thou-holier-than-thou. I’m crying for all the lies I've told. I’m crying for places I never visited and places I will never visit again. I’m crying for long summers, swimming-pools and beaches. I’m crying for the snow. I’m crying for the squirrel I ran over by accident. I’m crying for all my cats who have died. I’m crying for the inevitability of death. I’m crying for my father’s sadness. I’m crying for my mother’s strength. I’m crying for all the ways I have failed my daughter. I’m crying for my daughter’s freckles, and her long blonde hair. I’m crying for the County Fair, and cotton candy on a stick. I’m crying for scraped knees. I’m crying for all the places I’ve called home. I’m crying for all the people I’ve never met. I’m crying for all the books I’ve never written. I’m crying for the toys I gave away. I’m crying for the toys I’ve lost. I’m crying for the languages I never learned. I’m crying for all that was lost in the fires. I’m crying for flowers not planted. I’m crying for fear and loneliness. I’m crying for blue skies. I’m crying for starry desert nights. I’m crying for all the last times. I’m crying for the sun. I’m crying for poppies. I’m crying for the old world. I’m crying for who I used to be. I’m crying for who I will never be. I’m crying for sleep. I’m crying for love. I’m crying for the ring my mother lost in the sink. I'm crying for all the songs I've forgotten.


More than anything, I’m crying for the red plastic shovel I buried on a beach on the Baltic Sea nearly fifty years ago.


Perhaps a little child is playing with it now, digging up treasure I will never see.



4.20.20


Every day breaks me down to the core. I’m shattered into a million pieces. Small shards of me, sticking out awkwardly into space. Every night I am reconstituted, although a bit of me seems to get lost every time, so nothing quite fits right anymore. I am a puzzle with missing pieces. Every morning, I gather myself together, bruised, limping, hungover and broken. I pick up what’s left of me, and I surrender. I surrender myself to the day. I make an offering. I offer myself up to what is real. I renounce all illusion of control. I am utterly powerless. I am here. Now. Nothing more to it. 




Thursday, October 26, 2017

After the Fires


After the Fires

Is it just me
or are the hills
really darker than before

I mourn the absence of a thousand lighted windows.

Strange birds
singing in my backyard.

I try to find reasons
to visit the places
that I don't have a reason to visit

other than that they're gone.

I sleep with the windows open again on hot nights.

Always listening.

The night
feels so much darker.

I think of quiet ruins
of ashes settling.

The moon illuminates all that was lost.

I wander through my house
restlessly.
Imprinting my memory
with the void
that each thing
would have left behind.


---


October 28, 2017


A Visit to Coffey Park


Today our friends Paul and Sue took us on a tour of their neighborhood in Coffey Park. Ever since we got back to Santa Rosa after the fires, I have felt the need to see the devastation with my own eyes. I’ve felt guilty. And afraid. And compelled. Paul insisted. “You guys need to see this. It’s part of our city’s history. You have to see this before it gets cleaned up and erased.”


They pick us up in their minivan. It’s a beautiful sunny fall day in Sonoma County. We drive up Mendocino Avenue, the charred hills of Fountaingrove to the East of us. You could almost pretend that it’s simply brown grass, dried out from the summer. Except for all those really dark patches. And the missing houses.


We get on 101 North, take the Bicentennial Exit instead of Mendocino O/C. None of us want to go past Journey’s End Mobile Home Park again. Still, I catch glimpses of it from the freeway, And of the corner of Fountaingrove Parkway and Mendocino, where the Hilton and the Fountaingrove Inn and the historic Fountaingrove Round Barn once stood. All gone. Nothing left. It just looks like an empty hillside. It takes effort to remember what was there.


On the corner of Piner and Range, the gigantic taxidermied grizzly bear (or is it a black bear) is the only thing that remains of Schmidt Firearms, Inc. That, and some of the big fat gun safes. The bear looms large and fierce, its fur singed. How it survived the fire is a mystery to me. Perhaps all the preservatives serve as flame retardant.


We drive down Piner and turn right onto Coffey Lane. Everything looks normal here, until we get to a roadblock, guarded by military personnel. Paul flashes his lime green residency permit pass and they let us through. Paul tells them “You guys are doing a great job, and you’re almost done.” He is so kind.


It starts very suddenly. 


A block of unharmed homes. Then a burned one. Then we enter a wasteland of ash, rubble, and twisted metal. Block after block after block.


Surprisingly, I don’t cry.


We turn onto San Miguel Road and park in front of Paul and Sue’s home. Except there’s nothing left of it. Nothing but rubble and ash and twisted metal and melted aluminum and weird artefacts. A cactus that looks like something out of a Salvador Dali painting. Ash-grey ceramic pots. Black stick figure plants, the planter boxes have burned away but the soil is still intact in a square around them. The carcass of a refrigerator. The husks of two classic cars in the ashes of their garage. This, like most of the homes here, was a two story house. All that’s left is the foundation, cracked and withered. 


You can see for miles. Open views. Sue says “I kind of like that the fences are gone. We have met some of our neighbors we’ve never seen before.”  It doesn’t look like a neighborhood. It’s hard to believe that this was filled with homes just 3 weeks ago. Wasteland is the only word that comes to mind.


What strikes me most is how absurdly peaceful it is. Almost beautiful. Bright blue skies, not a cloud. Sunny and warm. No breeze disturbs the ashes. Birds singing cheerfully in the blackened limbs of dead trees. A bucolic wasteland.


Neighbors walk up wearing hazmat suits and ask to borrow a screwdriver. Hugs and stories. Their house burned to the ground, but the fire spared a pair of wooden adirondack chairs in what used to be their backyard. Wooden. Chairs. Completely unscathed. Their collection of semi-precious stones, including a gigantic geode, has melted away into nothing.


Paul and Sue pick up random artefacts and toss them back. “Oh look, this was part of our breaker box.” “I think Sue made this vase in a pottery class 20 years ago.”  Sue points to what looks like tiny shriveled black footballs. “This was where our Guava Tree stood. It was loaded with fruit.”


I stand there, bearing witness.The devastation defies words. All I can say is “wow”. And ask, like a child, “what’s this?”. Exclaim,  “look at that!” 


I feel very young and very old at the same time.


After about twenty minutes, we all decide it’s time to move on. Paul takes us on a driving tour of the neighborhood. 


A few impressions:


How come most of the street signs are perfectly intact? Not even the coating has been tarnished. They stand tall, bright beacons of color in an ashen moonscape.They bear the names of streets that are no more. Signify warnings no longer relevant. Children at play. No parking. Street cleaning. 


Further down Hopper, we see a few signs where the lettering has started to bubble and look like a badly drawn cartoon.


The randomness of it all. Rows and rows of burned out lots. Then one house, totally fine. Structures obliterated, but a plastic lawn bambi still standing. A patch of bright green lawn surrounded by ash. A singed tree decorated for Halloween in front of nothing. EPA vans and people in white hazmat suits. Like some post-apocalyptic sci-fi movie.


The fact that there aren’t even ruins. 


Everything is flat. Like Paul says, the world has gone from three dimensional to two dimensional in a matter of hours.


At the outer edges of the destruction, new construction and for sale signs.


We drive to Simply Vietnam Express for lunch. Past the remains of K-Mart. Past the Carl’s Junior that caught fire long after the fires died down, while broiling hundreds of burgers for firefighters. Past scorched patches of grass and trees and melted guardrails off 101. They are taking down severely injured redwood trees on Cleveland. Next to Simply Vietnam Express, the shell of Puerto Vallarta Mexican Restaurant.


We eat, we laugh, we talk about rebuilding and the joys and pains of home ownership, we talk about beautifully restored cars lost to flames, we talk about work and family, we talk about old age and sickness, we remember people and places, we shake our heads, we are dumbfounded, we are humans connected through shared history who have not seen each other in years, now reconnected through tragedy. We sheepishly remember how much we like each other.


Our friends take us home. They comment on how beautiful our house is and I feel guilty. We talk some more, standing in the street. It’s hard to pull away. As we finally hug goodbye on this sunny Saturday afternoon, Paul says to Steve and I “Now you’ve seen it. Now it’s your responsibility to tell the story.”


We’ll try. It is our duty and our honor.


Post Script: 

Steve and I continue to wonder why we both have been feeling such a strong, almost physical need to visit the devastated neighborhoods of our hometown. 


Perhaps it’s survivor’s guilt. In a strange way I have been feeling like an outsider, excluded from a club no one in their right mind actually wants to belong to. I needed to feel connected again. It’s a little bit like cutting your skin to make sure you can still feel something. I got a rose-ilience tattoo the week after we returned, and welcomed the faint burning sensation of the needle. It was grounding somehow. The tiny waves of pain that welled up every few seconds were nothing compared to the deep heartbreak I’ve been feeling for my community. 


Perhaps it’s because everything has felt so surreal. We can drive around our immediate area and downtown for days and pretend that nothing happened. Perhaps we needed to see with our own eyes what happened right here in our city, just a few blocks away, so it can truly sink in that these were not just satellite images and photographs of some distant war zone. This happened to our town. Our friends. Our neighbors.


Standing there, amidst the ash and the rubble of Coffey Park, we became part of it. Our feet shuffled through the vaporized remains of our friends’ lives. Our lungs breathed the same air as our friends did, oddly fresh and clean now, compared to even a week ago, but as we inhaled more deeply, filled with invisible toxins, and permeated by grief and loss that will forever become part of the cellular structure of our fragile bodies.


Perhaps it’s also because our friends needed us to see this. They needed us to join them, not just with our hearts and minds, but physically. To literally stand with them. To say yes, I see this. It’s real. This happened to you. I know it now. I believe you. I cry with you. I laugh with you at the absurdity of it all. I hold your hand if you need me and I won’t let go. I’m with you. You are not alone.


In the words of Santa Rosa’s own Gabe Meline from Santiago’s Rosenbergs After Dark:


 “We are everywhere.”


Friday, November 16, 2012

Beautiful imperfect lives



Beautiful imperfect lives


My friend P. and I have decided to change our lives.

We were sitting on a bench at the downtown market drinking generous pours of Sonoma County wine during the “6 for $10” tasting event. Sip by sip, we were feeling a little less terrified and overwhelmed by all the crap life has thrown our way lately. But we were still indignant about it. In other words, it pissed us off. We both agreed that we strongly preferred things to go smoothly for once. Especially we would really, really appreciate it if someone could put a stop to all the death crap. Like, if we could go a year or longer without losing anyone (including four-legged creatures) to that sonofabitch with the black hoodie, that would be freakin’ awesome, we said to each other, toasting with Tempranillo (me) and Sauvignon Blanc (P.). Over the course of the last year and a half, our families have had to face murders, suicides, heart attacks, old age, and dead kittens. It really sucked.

That was the big crap.

Then there was the little crap: unemployment, sucky employment, precarious employment, employment that will make your hair turn greyer with every passing minute, employment that will jolt you awake with panic attacks in the middle of the night.

Also, teenagers.

Good god, teenagers! Obnoxious, arrogant, self-centered, complaining, entitled bitches and jerks living under our roofs, making us wish we could disappear to another planet in a far away galaxy. And yet at the same time we were suffering constant agonizing fear over their safety and well-being, because for inexplicable (probably purely biological) reasons we loved these morons more than life itself. Teenagers were the bane of our existence, yet we could not live without them.

So we had another pour of local wine and lamented our fate. In between laments, we satisfied our darker urges by pointing out other wine-tasting revelers’ fashion mistakes, such as the guy wearing plaid shorts and crocks with socks, or the lady with the gigantic breasts squished flat by a tube top.

Right before we moved on to tasting the dessert wines, we made the decision that we needed to change our lives.

This was our plan:

  1. Nobody dies.
  2. We win the lottery.
  3. Following from 2., we no longer need to put up with stressful and low paying jobs that don’t show us any appreciation.
  4. Following from 3., we will then have ample time to engage in all those creative, meaningful and world-changing activities that we have been putting off for so long, such as:
    1. Cleaning the garage
    2. Eliminating world hunger
    3. Writing the Great American Novel
    4. Losing 20 pounds

  1. Following from 4., our children (especially the teenagers) will see the light and turn into fully self-actualized, mature and caring individuals who follow their dreams and take out the trash without being asked.

Elated, we rinsed out our glasses after the final taste of the night and stepped out of the secluded little universe of the functioning alcoholics into the good-natured chaos of the downtown market. We skipped the Henna Tattoos and carefully avoided the snake exhibit before we parted ways, my friend P. to the bookstore to pick up her wandering teenager, me to the farm stands to pick up a flat of organic strawberries (which would not fit on my bike so my friend graciously drove them home for me in her Prius. We were so environmentally correct it was sickening!).

Meandering home on my aqua-and-silver Schwinn, through the darkening, tree-lined streets of my neighborhood, I was filled with a sweet and tender sense of peace and gratitude. Maybe it was the dessert wine.

Who knew if my friend P. and I were really going to change our lives. Maybe we were. Maybe we weren’t. Maybe we had absolutely no idea. And maybe we were just going to continue on, for another day, if we were lucky, with our beautiful, imperfect lives.

And then maybe one more. If we were lucky.

Wednesday, April 11, 2012

Easter

Here is a poem I wrote on Easter weekend. I am not a Christian but somehow the Easter holiday speaks to me and moves me very deeply. On Easter Sunday, my daughter and I rode our bikes out to Spring Lake Park Children's Memorial Grove to find that Katie's memorial stone had finally arrived. We sat with Katie's stone for a long time, my daughter decorating it with tiny yellow flowers, both of us studying the surrounding stones that honored other children who had died. There were children of all ages. A stone remembering all the children that had died in Hurricane Katrina. A stone for the little boy who recently was killed by a hit and run driver. Stones for babies; there was one for our dear friends' stillborn son. Stones for toddlers. Stones for teenagers. My daughter spotted a stone that said "beloved father and husband" and wondered: "I thought this was for children?" I told her this: "Everybody is somebody's child!" 

So Easter is about resurrection, rebirth, renewal. The Pagan bunnies and eggs celebrating boisterous spring procreation, nature kicking into gear again after the dead of winter; and the Christian promise of Rising Up from the depth of despair and loss.

Here is my poem:

Rising
From dust and darkness
a mouthful of rubble
breathing splinters of light

Falling
Through the thorns
a thicket of birds
gathering upon your eyelids

Rising again
birds cascading
into a sky
the color of paper
and quicksilver

Mouth open
breathing liquid clouds
in small, heavy drops
translucent
like the blood of angels


Later on Easter Sunday we listened to Patty Smith's "Easter" ( a must!) and then had an Easter egg hunt in our backyard with our beloved extended family. Our kids ate chocolate bunnies and played basketball until little Gracie fell down one too many times and it was time to go home. The air was mild and fragrant even after dark. Our children ran and laughed and cried and fell asleep. Spring had arrived.

Wednesday, January 18, 2012

Corey

I walked up to the water's edge
I wrote your name in the sand with a driftwood stick
And drew a heart around it
And watched
As the next wave washed over you
And smoothed the scars
My hand had left in the soft sand.

It was as if you'd never been there.

But then I could see
The faint outline of a heart
underneath the earth's silky skin.

They say the ocean of time
Heals all wounds
eventually.

Yet they will always be there
Underneath the surface.

As the surf washes over you
Again and again
I can feel a tender new layer of skin
Growing around the ragged edges
Of my broken heart.